Allegory of Spring (Flora with Putt) Hendrick Schoock and Gerard Hoet the Elder (1630 – after 1770 and 1648 – 1733) Counterpart to « Allegory of Autumn (Vertumus and Pomona) » one signed “G. Hoet – H. Schoock” Oil on Canvas 103 × 133,5 cm Both painters formed in 1696 a
An Architectural Fantasy Dirck van Delen (Heusden ca 1605 – 1671 Arnemuiden) Oil on panel 116.5 by 166.7 cm; 45 ⅞ by 65 ⅝ inch Amongst van Delen’s most elaborate and successful compositions, this splendid palace courtyard has been dated by Blade (see Literature) to the mid 1630s. Rivalled
The banquet of Cleopatra Ottmar Elliger the Younger (Hamburg 1666 – 1735 St. Petersburg) Counterpart to « Emperor Augustus at the death-bed of Cleopatra » Oil on Canvas 55.5 × 67.5 cm Provenance Collection Wolfgang Gurlitt, Berlin Private collection, Munich Request for the object
Emperor Augustus at the death-bed of Cleopatra Ottmar Elliger the Younger (Hamburg 1666 – 1735 St. Petersburg) Counterpart to « The banquet of Cleopatra » Oil on Canvas 55.5 × 67.5 cm Provenance Collection Wolfgang Gurlitt, Berlin Private collection, Munich Request for the object
Portrait of Nobleman, fill-length, wearing a red-gold embroidered doublet Daniel Mytens (ca 1590 – Delft – 1648) thought to be a stadholder of the Court of Orange, ca. 1635/40 Oil on canvas 215.5 × 142.3 cm / 85 × 56 inches (frame incl.) Ink mark “M. W. No 67819” and “Inv. No. 16661”
GRANIDA AND DAIFILO Hendrick Bloemaert (1601/02 – Utrecht – 1672) Oil on Canvas 99.5 x 127.5 cm signed lower left: “H. Bloemaert fec. 1634” Granida and Daifilo were lovers from the Dutch pastoral play “Granida” (1605) by Pieter Corneliszoon Hooft. Granida, the daughter of an eastern king, betrothed to Prince
Imperial baths – atrium and stairways Stefano Orlandi (1681 – Bologna – 1760) Counterpart to « Imperial baths » oil on canvas 122.5 × 174 cm (pair) The rediscovery of these two paintings, which were known only from photographs and were published as “lost” in 1991, represents an important contribution
Imperial baths Stefano Orlandi (1681 – Bologna – 1760) Counterpart to « Imperial baths – atrium and stairways » oil on canvas 122.5 × 174 cm (pair) The rediscovery of these two paintings, which were known only from photographs and were published as “lost” in 1991, represents an important contribution
Still-life with flowers, fruits, butterflies and mice on a stone ledge Johann Amadeus Winck (1748 Eichstätt – 1817 Munich) Oil on wood Signed “Joan. Amand. Winck, Natus Eichstadt, Pinxit Monachi 1804 (or Monachi 1805)”. 31.1 × 45.7 cm Request for the object
The sculptor’s studio Johann Georg Platzer (St. Michael / Eppan 1704 – 1761) Counterpart « The painter’s studio » Oil / Copper 35.5 × 54.9 cm Request for the object
