Paintings

Jacob Philipp Hackert, Arkardische Landschaft, Kunsthandel Mühlbauer

Jacob Philipp Hackert

Resting bandits in arcadic landscape Jacob Philipp Hackert (Prenzlau 1737 – 1807 Florence) Oil on canvas each 120 × 178 cm signed lower right “J.Phi. Hackert / pinx: à Roma / 1773” Counterpart to « Arcadic landscape with Mercury, Argus and Io » Request for the object

Jacob Philipp Hackert, Arkardische Landschaft, Kunsthandel Mühlbauer

Jacob Philipp Hackert

Arcadic landscape with Mercury, Argus and Io Jacob Philipp Hackert (Prenzlau 1737 – 1807 Florence) Oil on canvas each 120 × 178 cm signed lower right “J.Phi. Hackert / pinx: à Roma / 1773” Counterpart to « Resting bandits in arcadic landscape » Request for the object

Francois Habert, Prunkstillleben, Kunsthandel Mühlbauer

François Habert

PRONK STILL-LIFE François Habert (active in Paris – in the mid 17th century) With silver-gilt dishes, fruits and flowers on a blue silk fabric, draped on a stone console. 90 × 121 cm Typical for the work of François Habert is the influence of important Flemish still life painters

Maximilian Joseph Hannl, Portrait eines Goldschmiedes, Kunsthandel Mühlbauer

Maximilian Joseph Hannl

Portrait of a goldsmith wearing a blue coat with a fur trim and a brown hat Maximilian Joseph Hannl (1694 – 1759 Vienna) Oil on canvas 90.3 × 71 cm Maximilian Joseph Hannl was working together with Johann Kupezky in Vienna and went 1715 to Venice. This painting was probably executed

Jan van Dornicke, Kunsthandel Peter Mühlbauer

Jan van Dornicke –Triptych

Triptych: Nativity – Adoration of the Magi – Presentation in the TempleJan van Dornicke / Master of 1518(1475 Tournai – 1527 Antwerp)Antwerp, ca. 1520Oil on panel, in original ebonized frame.Height 119.5 cmWidth 87 cm / 172 cm Request for the object Further Illustrations #gallery-3 { margin: auto; } #gallery-3 .gallery-item { float:

Artus Wolffort, die heilige Dreifaltigkeit, Kunsthandel Mühlbauer

Artus Wolffort

The holy trinity Artus Wolffort (1581 – Antwerp – 1641) Oil on oak panel, the reserve stamped with the brand of the Antwerp panel-makers guild. 121 × 91 cm Provenance Most probably Jesuit Church St. Peter, Münster Expertise Prof. Dr. Hans Vlieghe dates the painting in his expertise around 1620 or slightly

Hendrick Schook und Gerard Hoet, Allegorie des Herbstes, Kunsthandel Mühlbauer

Hendrick Schoock and Gerard Hoet the Elder

Allegory of Autumn (Vertumus and Pomona) Hendrick Schoock and Gerard Hoet the Elder (1630 – after 1770 and 1648 – 1733) Counterpart to « Allegory of Spring (Flora with Putt) » one signed “G. Hoet – H. Schoock” Oil on Canvas 103 × 133,5 cm Both painters formed in 1696 a

Hendrick Schook und Gerard Hoet, Allegorie des Frühlings, Kunsthandel Mühlbauer

Hendrick Schoock and Gerard Hoet the Elder

Allegory of Spring (Flora with Putt) Hendrick Schoock and Gerard Hoet the Elder (1630 – after 1770 and 1648 – 1733) Counterpart to « Allegory of Autumn (Vertumus and Pomona) » one signed “G. Hoet – H. Schoock” Oil on Canvas 103 × 133,5 cm Both painters formed in 1696 a

Dirck van Delen, Fantasie-Architektur, Kunsthandel Mühlbauer

Dirck van Delen

An Architectural Fantasy Dirck van Delen (Heusden ca 1605 – 1671 Arnemuiden) Oil on panel 116.5 by 166.7 cm; 45 ⅞ by 65 ⅝ inch Amongst van Delen’s most elaborate and successful compositions, this splendid palace courtyard has been dated by Blade (see Literature) to the mid 1630s. Rivalled