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Karl Friedrich Schinkel, zierlicher Gueridon, Kunsthandel Mühlbauer

A rare German Neoclassical gilt wood and ormolu Guéridon

A rare German Neoclassical Gilt Wood and Ormolu Guéridon After a design by Karl Friedrich Schinkel, Berlin, ca 1820 Height 70 cm Ø 49 cm A near identical table was in “Grünes Eckzimmer” of Princess Elisabeth of Prussia at Stadtschloss Berlin. Request for the object further illustrations #gallery-3 { margin: auto; } #gallery-3 .gallery-item { float: left; margin-top:

J. G. Klinger, Höfischer Verwandlungs-Schreibtisch, Kunsthandel Mühlbauer

A German Biedermeier maple, mahogany and penwork Bureau à Transformations

A German Biedermeier Maple, Mahogany and Penwork Bureau à Transformations signed “J.G. Klingler (?), 1824” 132 × 121.5 × 60 cm Request for the object further illustrations #gallery-3 { margin: auto; } #gallery-3 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 20%; } #gallery-3 img { border: 2px solid #cfcfcf; } #gallery-3 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

Pieter Neefs der Jüngere, Inners der Kathedrale von Antwerpen, Kunsthandel Mühlbauer

Pieter Neefs the Younger

Interior of Antwerp Cathedral Pieter Neefs the Younger (Antwerp 1620 – 1675 ibid.) Figure staffage Frans Francken III, Antwerp 1607 – 1667 Oil on wood 53.5 × 72.5 cm Provenance Private collection in Saxony on the reverse side an old collector’s seal. Request for the object

Jean Marieige, Architekturcapriccio, Kunsthandel Mühlbauer

Jean Marieige

View through a triumphal arch to a palace at a harbour Jean Marieige (? – Montpellier – 1738) A pair of Capricci Oil on canvas Each 70.0 × 96.7 cm Both indistinctly signed and one dated 1733 lower left on the plinth. Counterpart to « View through a portico to palace

Jean Marieige, Architekturcapriccio, Kunsthandel Mühlbauer

Jean Marieige

View through a portico to palace architecture along a canal Jean Marieige (? – Montpellier – 1738) A pair of Capricci Oil on canvas Each 70.0 × 96.7 cm Both indistinctly signed and one dated 1733 lower left on the plinth. Counterpart to « View through a triumphal arch to a

Artus Wolffort, die heilige Dreifaltigkeit, Kunsthandel Mühlbauer

Artus Wolffort

The holy trinity Artus Wolffort (1581 – Antwerp – 1641) Oil on oak panel, the reserve stamped with the brand of the Antwerp panel-makers guild. 121 × 91 cm Provenance Most probably Jesuit Church St. Peter, Münster Expertise Prof. Dr. Hans Vlieghe dates the painting in his expertise around 1620 or slightly

Maximilian Joseph Hannl, Portrait eines Goldschmiedes, Kunsthandel Mühlbauer

Maximilian Joseph Hannl

Portrait of a goldsmith wearing a blue coat with a fur trim and a brown hat Maximilian Joseph Hannl (1694 – 1759 Vienna) Oil on canvas 90.3 × 71 cm Maximilian Joseph Hannl was working together with Johann Kupezky in Vienna and went 1715 to Venice. This painting was probably executed

Hendrick Schook und Gerard Hoet, Allegorie des Herbstes, Kunsthandel Mühlbauer

Hendrick Schoock and Gerard Hoet the Elder

Allegory of Autumn (Vertumus and Pomona) Hendrick Schoock and Gerard Hoet the Elder (1630 – after 1770 and 1648 – 1733) Counterpart to « Allegory of Spring (Flora with Putt) » one signed “G. Hoet – H. Schoock” Oil on Canvas 103 × 133,5 cm Both painters formed in 1696 a